Posted 5 hours ago
Posted 11 hours ago
I’m sorry….but I couldn’t help thinking Dean sounded like an angry demented sheep at the end of this bit. “……BAAAAAAAAHHHH!”

I’m sorry….but I couldn’t help thinking Dean sounded like an angry demented sheep at the end of this bit. “……BAAAAAAAAHHHH!”


(Source: thecwspn)

Posted 2 days ago

edwardspoonhands:

Arkham Horror. The most complicated board game I have ever experienced. Nick just said, “Circle white, square diamond black. Sneak and will checks negative one.”

Have you tried any of the expansions? I’ve played with four added—it takes two tables and nearly an hour to set up…

Posted 5 days ago
Posted 5 days ago

John Green

literarystarbucks:

John Green goes up to the counter and orders an espresso shot. The barista gives him a venti cafe espresso frappucino. Green says, “This isn’t what I ordered.” The barista replies, “You ordered a drizzle, I’m giving you a hurricane.”

Posted 6 days ago

paperbeast:

Hey, I updated the original All Hallow’s Read poster for 2014! Download from this post or click or here! Happy haunts, everyone.

Posted 1 week ago
What's your opinion on there being "fake" and "real" fans/nerds?
snowbouquet asked

neil-gaiman:

Until I meet any obviously fake human beings — and I think they’d have to be held together with glue, or have the eyes painted on, or really be dolls or slugs or something — I think all people, not to mention fans, nerds, geeks and suchlike are real.

Some people haven’t read/seen/done as much as others. Some people haven’t been around as long. Some people wear T-shirts without knowing everything about what the T-shirt represents. But they are still real, and (and this is the important bit) everybody starts somewhere

People at my signings sometimes tell me, apologetically, that they aren’t real fans, they’ve only read one book or a single comic, not like the people who know every obscure reference I make and win quizzes on my life and times that I would probably fail. And I tell them I’m glad they read the book. And I am.

Posted 1 week ago
alfajones:

“The thought that in less than a year, the Lyric’s curtain will be opening on our darling Matilda feels just perfect. As you can tell I’m very very excited about it and can’t wait for it to come to Australia.”

alfajones:

“The thought that in less than a year, the Lyric’s curtain will be opening on our darling Matilda feels just perfect. As you can tell I’m very very excited about it and can’t wait for it to come to Australia.”

(Source: heraldsun.com.au)

Posted 1 week ago

abigaillarson:

It’s that time of year! Support your local bookstores and spread the creepy cheer of neil-gaiman

Posted 1 week ago
Posted 1 week ago

doctorpuppet:

Thanks for your help so far! We are nearly 30% funded and need some help getting to 100% so we can make this year’s stop motion animated Christmas episode. Please share! <3 <3

Support our campaign!

Posted 1 week ago

i-like-bakerst-now-bakersts-cool:

You’re all obsessed with the Jelly Babies and Mummy references, but I’m more concerned with something different:

Why were there body bags on a train that was not intended for people to die on?

Because Gus was in control of the train and knew people would be dying and therefore had prepared for that?

Posted 1 week ago

Excerpt of a Tumblr Post from Neil Gaiman

elvisomar:

neil-gaiman:

In the six years I’ve been working with the Doctor Who team, the producers and script editors I’ve directly worked with (four out of six of whom have been women) have had a lot of attention on getting women writers onto the team. They’ve reached out to a lot of women writers —…

Posted 1 week ago

ethiopienne:

"I was on the cover of Time magazine in June, and that same month, four trans women of color were murdered in the United States. So just because I got an Emmy nomination doesn’t mean the lives of trans people aren’t in peril every day.” - Laverne Cox

Posted 1 week ago
Interestingly I just saw the ask about Who writers, as I've been trying to work up the guts to ask something for a while now about this: A friend & I are working on changing that "nobody". Particularly we want to do a whole spinoff -- we've an outline for an entire first season plus a bit already and we think it's pretty awesome. So if it's not a bother I wanted to ask for any advice you might have on the matter of pitching it to the BBC, as I've heard they can be stubborn about such things.
lenyberry asked

neil-gaiman:

I’m thrilled that you want to write for Doctor Who. It definitely needs some women writing for it.

If you’re serious — and I assume you are: the BBC can be stubborn, yes, but possibly not as stubborn as you imagine. They really want writers. They may be more stubborn about Doctor Who, mostly because it’s their flagship show. If they are hiring a writer, they want to know that they are hiring someone who can do it, who, having pitched a great idea will, at least, turn in a script that they can shoot.

So my advice to anyone who really wants to write specifically for Doctor Who would be, write stuff that’s going to get you noticed, write stuff as a calling card. Write plays. Make fantastic, well-written, small cheap films with friends, write short stories and books and comics, do things so that when you ask to write Doctor Who they get excited. It’s the BBC’s flagship show, and if you are going to write an episode, make them want you. 

I remember, when I was about 20, walking past the BBC in Portland Place. Back then they had a doorman outside, and I went over to him and said, “How would I write for the BBC?”

"You can’t, mate," he told me. " You ‘ave to know someone who’s already in ‘ere."

These days I know how not-true that is, and how not-true it was then. The BBC want scripts and writers, and even, now, have websites which tell you how to  submit/format etc your work, including unsolicited scripts.

My reply about “nobody to hug” was mostly wistful, by the way, and not, as I’ve seen it interpreted, an attack on the Doctor Who team or anyone on the team.

In the six years I’ve been working with the Doctor Who team, the producers and script editors I’ve directly worked with (four out of six of whom have been women) have had a lot of attention on getting women writers onto the team. They’ve reached out to a lot of women writers — I know that Steven Moffat has personally been in touch with a lot of female writers and been defeated over and over by scheduling problems, and people saying no, and been as frustrated as anybody (probably much more frustrated as he’s the one reaching out). It’s a priority for them too.

To get started, head over to http://www.bbc.co.uk/writersroom/

The BBC Writersroom informs new writers about how to submit unsolicited Drama and Comedy scripts to the BBC. They are on the lookout for writers of any age and experience who show real potential.

BBC Writersroom will read all unsolicited scripts for BBC Films, TV Drama, Children’s Drama, TV Comedy, Radio Entertainment and Radio Drama. They accept unsolicited scripts written for film, television, radio or stage.

BBC Writersroom is always on the lookout for fresh, new, talented Writers for a changing Britain. If you have talent, an original voice, and stories to tell, then BBC Writersroom wants to know about you.